AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

 Hi!

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

Welcome to the blog :)

 

 

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

Comments

Post a Comment

Popular posts from this blog

Stamp Paid, debt unpaid

 He can walk right in to anyone's home, but now, not 124.  At the beginning of part II we see Stamp Paid trying to move forward in the most righteous way he can after Paul D departs from 124. SP takes some responsibility for Paul's departure, although we are delivered plenty of nuance regarding that blame: - He went behind Sethe's back, like a sneak - yet he has had to sneak all his life.  - He considered Sethe's feelings - but he considered them too late.  - And "the thorn" is not Sethe's feelings, nor Denver's situation (she "needed somebody normal in her life"), but Baby Suggs. He's going to 124 "for Baby Suggs' sake". Despite all these crinkles, Stamp Paid goes forth to proffer himself (his attention, assistance, or apology) to Sethe. But he fails... ...again and again and again... Before thinking about why SP's plans repeatedly unravel, we have to address the peculiar events that accompany his cycle of failure. Ever...
Read more

who knows...

 ...but that, on the lower frequencies, I speak for you? Yas Ellison. Love that ending king. Give us a spicy question to ponder 😍 As was pointed out in the notebook prompt from 10/12, this final question can seem like a turnaround from the initial tones and themes of the prologue. We go from a narrator caught up in his own invisibility and the peculiar facets of his experience to a narrator admitting, albeit apprehensively, that his entire tale which centers around surreal and unique circumstances could to some extent apply to anyone out there.  ...What happened?! This feels almost like a halfhearted attempt to connect with the reader last-minute, maybe after realizing that the audience needs an anchor to which the muddy, dreamlike information they have learned can be attached. And I suppose that part of me is tempted to criticize Ellison/the narrator/the nellison for ending in this way, uncharacteristic of the rest of the novel.  But another part of me says, I like this...
Read more

tone / voice / style

There's so much commentary to be made about the content of the chapters we've read so far, but this time I wanted to aimlessly ruminate about something tangent to all that.  I've always been getting caught up in this while reading and thinking about the book, and I suppose I want to articulate what's been bugging me throughout this whole unit. Invisible Man is one of the weirdest books I've ever read in terms of tone, voice, and general writing style. I feel like I'm on drugs when I read this book, but without the high. I don't even know what being on drugs is like, but I have a constant sense of being mystified, never being on top of things, never fully grasping the meaning of anything. I keep reverting to two words when describing large swaths of writing in this book: "fever dream." Am I just projecting my stress of not effectively keeping pace with some of the readings? No. There are truly many dreamlike qualities to the writing. And many scene...
Read more