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Stamp Paid, debt unpaid

 He can walk right in to anyone's home, but now, not 124.  At the beginning of part II we see Stamp Paid trying to move forward in the most righteous way he can after Paul D departs from 124. SP takes some responsibility for Paul's departure, although we are delivered plenty of nuance regarding that blame: - He went behind Sethe's back, like a sneak - yet he has had to sneak all his life.  - He considered Sethe's feelings - but he considered them too late.  - And "the thorn" is not Sethe's feelings, nor Denver's situation (she "needed somebody normal in her life"), but Baby Suggs. He's going to 124 "for Baby Suggs' sake". Despite all these crinkles, Stamp Paid goes forth to proffer himself (his attention, assistance, or apology) to Sethe. But he fails... ...again and again and again... Before thinking about why SP's plans repeatedly unravel, we have to address the peculiar events that accompany his cycle of failure. Ever...
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This is my page for African-American Literature.

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In a lapse of originality, I've taken up Mr. Mitchell's suggestion on my first post to continue the streak of comparing poetry to the books we discuss. The two pieces in question this time: Invisible Man and "Theme for English B."  I'll start by trying to unpack Theme first, then base the comparisons between the pieces on what we find in the poem. (It would be way too ambitious to do it the other way around and unpack everything in Invisible Man .)  The premise for Theme for English B is pretty straightforward  — our boi Langston explained it himself at the beginning: "The instructor said,      Go home and write      a page tonight.      And let that page come out of you—      Then, it will be true. " Then, Hughes spends the rest of the poem responding to the stated prompt. Simple enough, right? Well...   "I wonder if it's that simple?"    Based on the prompt, Hughes could have written just about ...
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Eatonville: a microcosm

Dramatic yet unsurprising changes take place in Eatonville as it grows. For good in-text examples, take page 47. Two details of recent changes are described, the new Starks house and the spitting pots, but along the way a lot more is revealed. Joe's new house, for one, is not just extremely fancy - it's the only large house in the village and it bears an uncanny resemblance to the house of rich white slave-owning landowners from pre-Civil War times. We're provided the spitting pot situation as an example of the frivolous luxuries Joe has procured with the wealth he's effectively diverted from the people of the town to himself with all his positions of power - Mayor, postmaster, landlord, and storekeeper. Essentially, it's clear as day that Joe is exploiting the people of Eatonville and is very corrupt. What gets the people in the town in particular, though, is that Joe Starks is black. As explained on p. 48, "It was bad enough for white people, but when one of ...
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